Is La Haine anti police?įilmmaker Matthew Kassovitz stated ‘La Haine is an anti-police film and that is how I meant it to be understood. As Ardagh writes, “la banlieue’ has today come to evokesocial tensions, delinquency, high jobless rates, frustration, maybe racial conflict”. In La Haine, the banlieue is represented as a bad place to live, the equivalent to the British council estates. Zaire How is the banlieue represented in La Haine?
La Haine is by far the greatest crime film I’ve ever seen. Shortly afterwards Makomé M’Bowole was killed by a single bullet in the head. He had been arrested with two friends on suspicion of stealing cigarettes from a tobacconist’s. Such moments of bravura invention occur throughout La Haine – as when director of photography Pierre Aïm uses an ultra-wide landscape ratio to film the three central characters in their banlieue surroundings, dwarfing them against their neighbourhood and making them seem insignificant, but switches to a long lens to … Why was makome M Bowole killed? What language is La Haine in?Ĭésar Award for Best Film How was La Haine shot? La haine remains a renowned and significant example of modern French film, primarily for two related reasons: Firstly because it manages to perfectly capture the state of contemporary French cinema, whilst secondly expertly portraying the state of contemporary French society. La Haine is a great film because it’s relevant and relatable the themes of poverty, racism, crime, immigration, police brutality, the youth and violence all still ring true today. La Haine ends with a pair of tragedies that feel both senseless and inevitable. It captures the true horrors of violence in a shockingly matter-of-fact way.
La Haine had a huge impact on French society – leading newspapers to discuss poverty in the outer cities and provoking politicians from President Jacques Chirac to National Front leader Jean-Marie Le Pen to reference it – but it also changed cinema.
La haine cow movie#
The film starts with footages from news about the riots and smoothly blends into the setting of the movie while maintaining similar visual content. The movie “ La Haine” by Mathieu Kassovitz can be a great example of realism film, however many critics has classified this film to be in the category of new realism. The film ends with Vinz being accidentally shot dead by a policeman, who is taunting him with a gun. The plot is relatively simple, centring on the fact that Vinz, the angry young Jew, has got hold of a gun stolen from the police. Now, with a newfound means to gain the respect he deserves, Vinz vows to kill a cop if his friend Abdel dies in the hospital, due the beating he received while in police custody. Director Kassovitz himself argued repeatedly that the appearance of the cow is his private greeting to his anarchist grandfather and the old radical slogan “Mort aux bourgeois! Does Abdel die in La Haine?ĭuring the riots that took place a night before, a police officer lost his handgun in the ensuing madness, only to leave it for Vinz to find. Vince claims among his first words in La Haine that he has seen a cow at the riots the night before. As kids from the banlieu of Paris, there is a stigma attached to them that they cannot escape, especially when dealing with the police. The plot is based on the true story of a 16-year-old Zairean, Makome Bowole, who died in police custody three years ago in the 18th arrondissement.Īnother potential understanding for the film being shot in black and white is that it reflects the way the rest of the world sees Vinz, Hubert and Said. The setting for La Haine is a desolate, derelict Paris suburb – well off the tourist trail – planted with bleak, concrete blocks of flats as far as the eye can see. The title derives from a line spoken by one of them, Hubert, “La haine attire la haine!”, “hatred breeds hatred”.
“Hate”) is a 1995 French independent black-and-white drama film written, co-edited, and directed by Mathieu Kassovitz.